Fetch!
One Hundred Years cover
Protected

One Hundred Years

The Cure
1987
Confidence
99
— Composition copyright —

Songwriter & publisher

Protected
Songwriter(s)
Simon Gallup, Robert Smith, Lol Tolhurst
Publisher
Unknown
First published
1987
Rule · Compositions created on or after January 1, 1978 are protected for the life of the author plus 70 years (or 95 years from publication for works made for hire). Protected.

The underlying musical composition for "One Hundred Years" is protected under U.S. copyright law. As the song was written and first published in 1987, it falls under the provisions of the 1976 Copyright Act and its subsequent amendments, including the Sonny Bono Copyright Term Extension Act (CTEA). For works created on or after January 1, 1978, the general term of copyright protection is the life of the last surviving author plus 70 years. Since Robert Smith, Simon Gallup, and Lol Tolhurst are the credited songwriters and were alive in 1987, the composition will remain protected for 70 years after the death of the last surviving author among them. This means that any new recording (cover version), synchronization with visual media (sync license), or reproduction of the sheet music for "One Hundred Years" requires a license from the copyright holders of the musical composition. The composition is far from entering the public domain.

Confidence
98

Sound recording and composition are two separate copyrights. Even if one is public domain, the other may still be protected — clear cover, sample, and sync rights independently.

— Rule Applied —

The deterministic finding

Recordings fixed on or after February 15, 1972 are subject to standard federal copyright (life of author + 70 years, or 95 years for works made for hire). Protected.
— AI Reasoning —

Why this status applies

The sound recording of The Cure's song "One Hundred Years" from their 1987 album "Kiss Me, Kiss Me, Kiss Me" is unequivocally protected under federal copyright law. This is due to its fixation date of 1987, which places it squarely within the provisions of the Music Modernization Act (MMA). The MMA, specifically 17 U.S.C. § 1401, extended federal copyright protection to sound recordings fixed before February 15, 1972, but it also solidifies the protection for recordings made on or after that date. Prior to the MMA, recordings made between February 15, 1972, and 1987 were generally protected under federal law. The MMA, enacted in 2018, harmonized copyright terms for all sound recordings, ensuring that those fixed after February 15, 1972, like "One Hundred Years," are subject to the standard federal term of copyright, which is life of the author plus 70 years, or 95 years for works made for hire. Given that The Cure was an active band in 1987 and this was a commercially released album by a major label (Fiction Records/Polydor), it is highly probable that the recording was created as a work made for hire, or the rights were assigned to the label. As a result, the sound recording for "One Hundred Years" will remain under federal copyright protection for 95 years from its publication date. This means that any use of this specific recording – including direct sampling, synchronization with visual media, or reproduction – requires permission from the copyright holder, typically the record label (Polydor/UMG) that owns the master recording.
— Cited Sources —

Supporting facts

  • 17 U.S.C. § 1401 (Music Modernization Act)
  • "Kiss Me, Kiss Me, Kiss Me" album release information (1987)
  • The Cure's recording history
  • Fiction Records/Polydor Records catalog

This analysis is AI-generated for informational research only and does not constitute legal advice. Sound-recording status under the MMA does not determine the status of the underlying composition. Always consult a qualified copyright attorney before commercial use.