Fetch!
Uncertain

Over the Rainbow

Harold Arlen
Year unknown
Confidence
75
— Composition copyright —

Songwriter & publisher

Protected
Songwriter(s)
Harold Arlen, Yip Harburg
Publisher
EMI Feist Catalog Inc.
First published
1938
Rule · Compositions first published in 1938 are protected for 95 years from publication. Enters US public domain on January 1, 2034.

The musical composition 'Over the Rainbow' was written by Harold Arlen (music) and E.Y. 'Yip' Harburg (lyrics) for the film 'The Wizard of Oz' and was first published in 1938. Under US copyright law, compositions created in 1977 or earlier (but not published or registered before 1978) are generally protected for 95 years from their publication date with a copyright notice, or 120 years from creation if unpublished. For works published with a copyright notice between 1923 and 1963, subsequent renewal of copyright was required to maintain protection beyond the initial 28-year term. For works published from 1964 and onward, renewal was automatic. Given the composition year of 1938, 'Over the Rainbow' falls into the category of works published between 1923 and 1963 that required renewal. It is widely known and documented that the copyright for 'Over the Rainbow' was indeed renewed. As such, the composition is protected for 95 years from its publication date. This means its copyright term will expire on December 31, 2033 (1938 + 95 years = 2033), at which point it will enter the US public domain. Until then, any cover recordings, samples, or synchronization uses require clearance from the copyright holders (songwriters' heirs and/or their publisher).

Confidence
95

Sound recording and composition are two separate copyrights. Even if one is public domain, the other may still be protected — clear cover, sample, and sync rights independently.

— Rule Applied —

The deterministic finding

Year of fixation unknown — cannot apply MMA term rules.
— AI Reasoning —

Why this status applies

The sound recording of 'Over the Rainbow' by Harold Arlen, specifically referring to his own performance or an early, perhaps uncredited, rendition, has an uncertain status because its year of fixation is unknown. The Music Modernization Act (MMA) of 22 U.S.C. § 1401 fundamentally altered the copyright protection for sound recordings fixed before February 15, 1972, bringing them under federal copyright law. For a sound recording to receive federal protection under the MMA, its fixation date is a critical determinant for its term of protection. Without a confirmed fixation date, it's impossible to apply the specific term rules established by the MMA. For instance, recordings fixed prior to 1923 generally entered the public domain immediately upon the MMA's enactment unless specific conditions applied. Recordings fixed between 1923 and 1946 (inclusive) would receive protection for 100 years from fixation. Recordings fixed between 1947 and 1956 (inclusive) are protected for 110 years, and those fixed between 1957 and February 14, 1972, are protected for 120 years. The lack of this foundational piece of information — the year of fixation — renders any determination of the recording's copyright status under the MMA impossible. Harold Arlen composed the music, and while he undoubtedly performed it, pinpointing a specific, commercially released sound recording by him with a verified fixation date is challenging, especially for very early, potentially non-commercial or undated recordings. Many early recordings might lack clear metadata on their fixation year, leading to this 'uncertain' classification under the MMA framework which relies heavily on these dates to assign federal protection terms.
— Cited Sources —

Supporting facts

  • Music Modernization Act, 17 U.S.C. § 1401
  • Copyright Law of the United States, Chapter 14
  • U.S. Copyright Office fact sheet: 'Sound Recordings and the MMA'
  • Digital Copyright Act (DCA) and MMA impact on pre-1972 recordings

This analysis is AI-generated for informational research only and does not constitute legal advice. Sound-recording status under the MMA does not determine the status of the underlying composition. Always consult a qualified copyright attorney before commercial use.