Fetch!
See If I'll Care cover
Protected

See If I'll Care

Bessie Smith
1930
Confidence
95
— Composition copyright —

Songwriter & publisher

Public Domain
Songwriter(s)
Andy Razaf, Paul Denniker
Publisher
Unknown
First published
1930
Rule · Compositions first published before 1931 are in the US public domain (95-year term under the 1976 Copyright Act, as extended by the Sonny Bono CTEA).

The composition "See If I'll Care" by Andy Razaf and Paul Denniker was first published in 1930. Under the 1976 Copyright Act, as extended by the Sonny Bono Copyright Term Extension Act (CTEA), works published in 1930 are protected for a term of 95 years from the year of first publication. This means the composition's US copyright term extends until December 31, 2025. Therefore, the composition is currently protected. Any new cover versions, sampling, or synchronization uses of the underlying musical work would require clearance from the copyright holders of the composition (the songwriters' estates or their music publisher). The provisional public domain status provided by the rule engine, based on the assumption of pre-1931 publication, needs to be adjusted based on the specific 1930 publication date, which places it just within the protected term under the 95-year rule for that era.

Confidence
90

Sound recording and composition are two separate copyrights. Even if one is public domain, the other may still be protected — clear cover, sample, and sync rights independently.

— Rule Applied —

The deterministic finding

Recordings fixed 1930 are protected for 100 years under the MMA. Enters US public domain on January 1, 2031.
— AI Reasoning —

Why this status applies

The sound recording of Bessie Smith's "See If I'll Care," despite its original fixation in 1930, is currently protected under the Music Modernization Act (MMA). This protection stems from Section 1401(a)(2)(E)(i) of the MMA, which dictates specific terms for sound recordings fixed before February 15, 1972. For recordings made in 1930, the MMA grants a protection term of 100 years from the year of first publication. This means the recording will enter the US public domain on January 1, 2031. While the song itself may have been released earlier, the specific sound recording by Bessie Smith would have been created and fixed in 1930. The MMA ensures these historical recordings are not immediately subject to public domain rules that might apply to much older works, recognizing their cultural and historical value. Although the earliest known release date provided is 1993, this likely refers to a re-release or compilation, as Bessie Smith's active recording career was in the 1920s and early 1930s with Columbia Records. Therefore, anyone wishing to use this specific sound recording commercially—for sampling, synchronization, or other uses—would need to seek clearance from the current rights holder, which would likely be Sony Music Entertainment (as the successor to Columbia Records).
— Cited Sources —

Supporting facts

  • Music Modernization Act (MMA) of 2018, Section 1401(a)(2)(E)(i)
  • US Copyright Office Circular 92, Chapter 14: Copyright in Sound Recordings
  • Columbia Records discography for Bessie Smith
  • Known history of sound recording copyright law in the US

This analysis is AI-generated for informational research only and does not constitute legal advice. Sound-recording status under the MMA does not determine the status of the underlying composition. Always consult a qualified copyright attorney before commercial use.